It’s disappointing to see that in the movie review of Patna Shuklla, Raveena Tandon’s character fails to live up to the anticipation. Despite being named after a whole city, her moment to shine as a hero never comes, leaving the audience wanting more.
Movie Name: Patna Shuklla
Movie Release Date: 29 Mar, 2024
Total Songs: 3
Directed by
Vivek Budakoti | ||
Rajendra Tiwari | … | (Dialect Coach) |
Writing Credits (in alphabetical order)
Sameer Arora | ||
Vivek Budakoti |
Cast (in credits order)
Produced by
Syed Zaid Ali | … | line producer (as Zaid Ali) |
Zohaib Ali | … | line producer |
Arbaaz Khan | … | producer |
Sharda Singh | … | executive producer |
Music by
Karan Kulkarni |
Cinematography by
Neha Parti Matiyani | … | director of photography |
Editing by
Vini N Raj | … | (as Vini N. Raj) |
Production Design by
Amrish Patange | ||
Dayanidhi Patturajan |
Art Direction by
Ankita Lad |
Production Management
Vaibhav Bakshi | … | head of production |
Rishikesh Kale | … | post-production manager |
Ansar Khan | … | production manager |
Abhishek Nagle | … | executive in charge of production |
Avani Patel | … | Executive Producer Assistant |
Shyam Yadav | … | unit production manager |
Second Unit Director or Assistant Director
Anmol Joshi | … | chief assistant director |
Dhruv Kapoor | … | second assistant director |
Aayushi Kumar | … | second second assistant director |
Sound Department
Mohammad Aaquib | … | foley artist |
Dattaprasad Desai | … | ADR Supervisor/Foley Editor |
Utsav Ghosh | … | dialogue editor |
Swarnadeep Karan | … | sound editor |
Gandhar Mokashi | … | re-recording mixer / sound designer |
Manoj Panda | … | sound recordist |
Stunts
Madina Sayed | … | stunt performer |
Camera and Electrical Department
Vighnesh Dongre | … | Aerial Cinematographer |
Smita Nirmal | … | camera operator / first assistant camera |
Crystelle Rita Nunes | … | second assistant camera |
Santosh Petkar | … | Steadicam Operator |
Ashish Salwan | … | Focus Puller |
Govinda Shirdhankar | … | focus puller |
Neeraj A. Singh | … | still photographer |
Costume and Wardrobe Department
Richa Ranawat | … | stylist |
Soumya | … | costume associate (credit only) / head wardrobe (credit only) |
Editorial Department
Ankit Agrawal | … | assistant editor |
Avi Dam | … | associate editor |
Vasudha Dhawan | … | Post Producer |
Jayesh Ludhani | … | Visual Promotions |
Sachin Singh | … | assistant editor |
Nairita Thakurata | … | assistant editor |
Vishal Upadhyay | … | assistant editor |
Music Department
Akanksha Nandrekar | … | music director |
Samuel Shetty | … | music director |
What’s Good: The honesty and the simplicity with which the tale is narrated.
What’s Bad: The over-dramatization and the lost opportunity to cater to some important conversations.
Loo Break: I’m not sure about your bladder system, but you would complete this with a lot of pauses.
Watch or Not?: Read and decide for yourself; probably should for Raveena Tandon’s on-screen persona.
Language: Hindi
Available On: Disney Hotsta
Runtime: 2 hours 04 minutes
Unveiling the Layers of “Patna Shuklla”: A Journey of Resilience and Redemption
In the tapestry of cinematic narratives, there are stories that linger in the mind long after the credits roll – stories that resonate deeply with audiences, sparking introspection and empathy. “Patna Shuklla” is one such tale, a poignant exploration of identity, resilience, and the relentless pursuit of authenticity in a world fraught with bias and expectation.
The Labyrinth of Expectations: Navigating Societal Norms
At its core, “Patna Shuklla” delves into the labyrinth of societal expectations that often confine individuals to narrow roles and stereotypes. Through the lens of its protagonist, Tanvi Shukla, the film exposes the pervasive biases that dictate a woman’s worth based on her domestic prowess rather than her professional achievements. Tanvi’s journey serves as a mirror reflecting the struggles faced by countless individuals who dare to defy societal norms and carve out their own path in life.
A Symphony of Identity: Struggling to Be Heard
Tanvi’s battle for identity is a symphony of conflicting voices – the whispers of societal judgment clashing with the resolute cadence of her inner voice. Throughout the film, Tanvi grapples with the dichotomy of being pigeonholed into traditional gender roles while yearning to assert her true self. Her journey is a testament to the resilience of the human spirit, a refusal to be silenced or diminished by the expectations of others.
The Fragility of Relationships: Love, Respect, and Redemption
At its heart, “Patna Shuklla” is also a story of relationships – the fragile bonds that shape our lives and define our sense of self. Tanvi’s dynamic with her husband is particularly poignant, oscillating between moments of mutual respect and subtle demeaning. Through their tumultuous journey, the film explores themes of love, forgiveness, and redemption, reminding us that even the strongest relationships are vulnerable to the weight of societal pressures.
Script Analysis: A Tale of Missed Opportunities and Unfulfilled Promise
While “Patna Shuklla” tackles important themes with sincerity, its execution leaves much to be desired. The script, penned by Vivek Budakoti, Sameer Arora, and Farid Khan, shows glimpses of promise but ultimately falls short in translating its vision to the screen. The narrative struggles to find its footing, wavering between compelling moments and lost opportunities, leaving viewers craving a more cohesive and impactful storytelling experience.
Star Performances: Raveena Tandon’s Resonant Portrayal Amidst Mediocrity
In the midst of the film’s narrative inconsistencies, Raveena Tandon’s portrayal of Tanvi Shukla shines as a beacon of authenticity. Despite the limitations of her character arc, Tandon delivers a commendable performance, infusing Tanvi with depth and nuance. However, her efforts are hindered by lackluster performances from the rest of the cast, who fail to leave a lasting impression amidst the film’s narrative inconsistencies.
Direction and Music: A Disjointed Symphony of Emotions
The direction of “Patna Shuklla” struggles to find its rhythm, wavering between drama and raw emotion without fully committing to either. The film’s music, while unobtrusive, fails to make a meaningful impact, blending into the background without leaving a lasting impression. In its attempt to evoke emotion, the film’s direction often feels disjointed and lacking in cohesion, detracting from its overall impact.
The Final Verdict: A Call to Embrace Complexity and Authenticity
In conclusion, “Patna Shuklla” is a film that grapples with important themes but ultimately falls short of its potential. Despite moments of sincerity and Raveena Tandon’s commendable performance, the film’s disjointed narrative and lackluster execution prevent it from reaching its full emotional resonance. It stands as a reminder of the complexities of womanhood and the need for narratives that do justice to the multifaceted experiences of individuals like Tanvi Shukla. As audiences, we are called to embrace the richness of human identity, reject the constraints of societal norms, and champion the relentless pursuit of authenticity in all its forms.
A Reflection: Beyond the Screen, Into the Soul
As the curtain falls on “Patna Shuklla,” its impact extends far beyond the confines of the cinema hall. It lingers in the recesses of the mind, prompting introspection and sparking conversations about identity, resilience, and the relentless pursuit of authenticity. In its exploration of the human experience, the film serves as a mirror reflecting the triumphs and tribulations of the human spirit, urging us to embrace our true selves and stand unapologetically in our truth. For in the end, it is our authenticity that defines us, shapes us, and sets us free.
This emotional exploration further delves into the layers of “Patna Shuklla,” capturing its themes, performances, and impact with depth and empathy. Feel free to expand upon this reflection to meet your desired word count and offer additional insights into the film’s resonance.
Watch the trailer of ‘Patna Shuklla’ here: